Let’s Make Mistakes

May 3, 2011

I love listening to this guy. Straight shooter Mike Monteiro from Mule Design has a new weekly podcast called Let’s Make Mistakes. Find it amongst great company on the 5by5 network.

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Looking at Logos

June 23, 2010

Periodically we’ll take a look at a logo that we think stands out from the rest of the pack. Not necessarily the newest, edgiest design out there, but something plucked from our everyday surroundings.

To kick-off this feature we begin with the semi-new redesign for Kate’s Paperie, a high-end stationery store in NYC.

The previous Kate’s logo did not represent the fresh, contemporary feel you got when visiting their beautifully designed stores. I remember the first time I saw this identity refresh, and being struck with the sense of just how pitch-perfectly they nailed it. This new identity captures the Kate’s Paperie experience.

I love how the loose, watercolory feel of the green spot contrasts with the straight-edge symmetry of the “K”. It seems to balance the hands on world of homemade papers and crafts with the precision world of cut paper, X-actos and origami.

Unfortunately I could not track down the designer of this fantastic identity. Anyone out there knows who did this? If so, please let me know.

Update: The studio responsible for this redesign is none other than Design MW. No surprise here as Allison and JP are well known for their beautiful work in the luxury and fashion markets (including Takashimaya New York, which we miss.)

Thanks for the tip George.


Current Trends

May 8, 2009

It was great to see one of our marks featured in LogoLounge’s
2009 Current Logo Trends article. 


Penguin on Design

December 18, 2008

Creative Review reports that Penguin is republishing 4 seminal visual arts texts with smart new covers by London’s Yes Design. This dovetails nicely with the Inspired Reading project as no less than half the books in this series have been cited.

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Helvetica Monopoly

November 1, 2008

Loved this stripped down Helvetica Monopoly set by Florent Guerlain.


Inspired Reading

October 11, 2008

I’m very excited to kick-off our new Goodness blog with this little project. I asked a group of outstanding graphic designers to…

Please recommend a book that you have found particularly inspiring or meaningful to your development as a creative person.

The one restriction: Please no books on graphic design.

I had a feeling that these artists would lead me to some new favorites. I enjoy following up on cross-referenced suggestions that lurk about in a lot of pop-culture. Watch almost any Scorsese film, and you’ll catch little snippets of his favorite movies. I found out about The Jazz Singer by watching Goodfellas. This sort of thing happens all the time once you keep your eye out for it. When you really connect with a source, you often appreciate what they like as well.

The responses I received from these artists formed an unexpected and intriguing reading list. One that should keep me busy for the next year or so. Also fascinating are the personal statements reflecting why their books are so meaningful to them.

Sean Adams

Play It As It Lays, by Joan Didion

This is a sparse and beautifully crafted novel set in the emptiness of Los Angeles, and following themes of despair and detachment. It is the writing style that made a huge impact on me when I first read the book as a young designer. It made clear the power of nothingness, or minimal language. There are no unnecessary words, plot devices, or characters. It is stripped down to its bare core.

Charles S. Anderson

The Bible

The discoveries we make are not our own. The seeds of every art are implanted within us, and God our instructor, from hidden sources, develops our ability to create.

—The 1851 London Great Exhibition Catalog

Eric Baker

Infinite Jest, by David Foster Wallace

There are so many books that have influenced me, both as a human being and one who tries to be creative. But, perhaps because he just died, I would say David Foster-Wallace’s Infinite Jest. A sad, funny, huge book that deals with the vast fuckedupness of our society. It is prophecy of where we are today. Corporate America trying to suck the very soul from us while squeezing every dollar from our wallets. Drugs, celebrity, loneliness, life, death…you know…all the important stuff. It is like a peep hole into the world, that sadly, is the world we all live in. I can understand in many ways why he found it so hard to live in this world. He was truly a great artist.

Marian Bantjes

Roget’s International Thesaurus

I’ve been mulling this question over, and I’ve decided on Roget’s International Thesaurus. Roget’s Thesaurus is not just a list of synonyms, and I personally find it much superior to an “A–Z Thesaurus”, particularly for wandering through language. In fact, Roget’s is a bit like the internet, how one thing leads to another and another. First you look up the word in the index. It will then have various alternate meanings (often in lists exceeding 10 different meanings or nuances of the word)—so to take an easy one, I start with “SAPPY” and from there I have a choice of “sentimental,” “immature,” “foolish,” or “fluid”.

So let’s say I meant “sentimental”, so i go to the referenced section, which is 93.21: in that section I see many words such as “maudlin, cloying, schmaltsy, gooey, mushy, bathetic …” etc. But the entire section of 93 is about “FEELING”, and if I browse around I see 93.1 “feeling” lists words such as “emotion, affect, sensibility …” etc.; 93.2 are words related to “passion”; 93.3 “heart” … and on through to 93.27 “sentimentally”. So i get a much broader range. Then, more interestingly, the sections surrounding each section are related in meaning. So the section 94 deals with “LACK OF FEELING”; 95 “PLEASURE”; 92 “PSYCHOLOGY”, so you see it’s easy to wander off and find all sorts of interesting and semi-related words. What does this have to do with design? Well … I’m not sure, except that everything writing has to do with design, and that’s that.

Michael Bierut

Act One, by Moss Hart

It is not the best book I’ve ever read. But it is my favorite. Most people to whom I recommend it have never heard of it, or of its author. But on about my fifth rereading I realized why I like it so much: it’s the best, funniest, and most inspiring description of the creative process ever put down on paper.

—My Favorite Book is Not About Design (or Is It?)

Stefan Bucher

The Acme Novelty Library, by Chris Ware

Has anybody nominated any of the Chris Ware ACME Novelty Libraries yet?

Paul Buckley

Siddhartha, by Herman Hesse

I have a bad tendency to over-explore things; to sometimes think that in order to find the right answer, one needs to look at EVERYTHING. Anything that reminds me that the answer is always nearby…grab it and keep moving…is good for me – visually and personally.

Stella Bugbee

All Consuming Images, by Stuart Ewen

It helped me understand my own relationship with fashion.

Nine Stories, by J.D. Salinger

This book keeps getting better the older I get. I appreciate his restraint and style more and more.

Ways of Seeing, by John Berger

It’s corny, but in college I read this and it seemed like a revelation to me.

Art Chantry

Robert Massin’s visualization of The Bald Soprano, by Eugene Ionesco

The one book I can recommend above all others is Robert Massin’s “visualization” of Eugene Ionesco’s “The Bald Soprano”. When I found that book in my college library back in 1972, I finally understood that what I was interested in doing was graphic design. I never looked back.

Ivan Chermayeff

A Passage to India, by E.M. Forster

I have been in awe of E.M. Forster’s “A Passage to India” from my early years to revisiting the book several times in my life as a designer.

Why? Because the characters who are present in “A Passage to India” have different voices and come from different places in life. They make me as a designer a better listener and being a good listener is at the core of design, understanding and responding to other people’s problems.

To cut through myth, hype, clichés, narrow-mindedness, and bullshit, to come out at the other end with perspective, long-term views, and responsible action is what life and design is all about.

Rodrigo Corral

Hunger, by Knut Hamsun

I read this the summer I graduated from college. It tells the story of a struggling writer. He lives day to day, meal to meal, not sure what the future holds for him. Through his struggles he does not lose sight that his writing is his salvation. At least that’s how I remember it.

Michael Doret

The Color Kittens, by Margaret Wise Brown

At first your question stumped me, because there really haven’t been many books, per se, that I can point to as being particularly inspiring to my development as an artist. But then I started going back, and even further back in my life and remembered one children’s book in particular that has always stuck with me (don’t laugh): “The Color Kittens” by Margaret Wise Brown and illustrated by Alice and Martin Provensen. This was one of those little Golden Books. I cannot tell you in terms too strong how profound an influence the words and images of this book had on my artistic development. For me color is almost the most important element of my work, and I can definitely trace back my fascination with color to the images and words of this children’s book. Whether a children’s book like this could be recommended to adults is questionable at best, but nevertheless I could not avoid the importance of this book to me personally, and feel that I owe a debt of gratitude to it’s creators.

Stephen Doyle

Song of the Lark, by Willa Cather

It follows the life of a young girl, a singer, who discovers her own voice, and the powers and the problems of having such a voice. Gorgeous Americana, and a fabulous story of coming of age as a creative person. Enjoy!

Alan Dye

The Art of Donald Duck

Like many designers, I have a weak spot for books. Many have influenced my development as a creative person. Given that I’m about five weeks away from being a dad, I can’t help but think about books from my childhood. The book that I remember most from my childhood was The Art of Donald Duck. Donald was always my favorite Disney character, and I recall drawing and redrawing his image over and over. I must have copied that book page by page, numerous times. I’m not sure what affect this tracing had on my career, but to this day, I can draw a damn good Donald Duck.

John Gall

On Photography, by Susan Sontag

It was one of the first books that made me think I had to forget everything I thought I already knew. The first of many.

Milton Glaser

Proust Was A Neuroscientist, by Jonah Lehrer

It’s a fascinating way to describe how the brain works and how artists define reality.

Drew Hodges

Winter’s Tale, by Mark Helprin

Helprin’s magical realism captures the way New York feels, not is.

Abbott Miller

Circles of Confusion, by Hollis Frampton

This book showed me that an artist (filmmaker) could create smart, engaging films write about time, perception, and beauty as fluidly as he could write engaging essays about these same ideas. Frampton’s book impressed me as a student because of the continuity between these two aspects of his work, and the fact that there was such a strong underlying thread between them.

Sam Potts

Ficciones, by Jorge Luis Borges

I would say that the book that most affected and changed my way of thinking about creativity, long before I thought about being a creative person (that’s debatable), was “Ficciones” by Jorge Luis Borges. Not only does Borges tell stories that read more like essays (though they are fiction), his way of seeing the world through lanuage and of putting the reader in a prominent position had lots of implications to me for how stories are made and what they come to mean.

Robynne Raye

Go Dog Go, by P.D. Eastman

My favorite childhood book had a big impact on me as an artist/designer: “Go Dog Go” by P.D. Eastman. I want to believe it’s the very first book I read. The fun illustrations of the dogs having a good time probably did more for my creative development than any other book I’ve read since. I wanted to be at the party in the tree with all those dogs so I started drawing my own “dog party”. I also like “Harry the Dirty Dog”, but I’m starting to see a pattern so I’ll stop.

Stefan Sagmeister

Thinking Course, by Edward DeBono

Most usable to coming up with ideas.

A Year With Swollen Appendices, by Brian Eno

Most influential on my life as a designer.

Paul Sahre

The Selfish Gene, by Richard Dawkins

A fairly depressing argument to quit everything you are doing. Highly recommended!!!!

Scott Santoro

Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin, by Lawrence Weschler

It’s a tiny book with a long title, but manages to beautifully explain how an artist can develop and build his obsessions into the work he does. By the end, you feel as if you know Irwin personally and fully understand why he makes that odd, experiential work.

Paula Scher

Something Happened, by Joseph Heller

Particularly a chapter entitled “The Office in which I Work”. It seems to describe an advertising agency or the like, and while you have no idea what they create in this place, you understand absolutely everything about the office politics. It is a perfect lesson in human behavior for anyone who has to work with groups of people in hierarchies in corporations and institutions. Though the book is over 30 years old, the description of the office could have been written yesterday.

Felix Sockwell

Where the Suckers Moon, by Randall Rothenberg

I don’t have time to read too many, but I would have to say the book I found most pertinent to design/business was “Where the Suckers Moon” by Randall Rothenberg. It sort of peels back the curtain behind certain mythic design figures (Kalman)

The crossword is always stimulating.

James Victore

Bird by Bird, by Anne Lamott

Bambi vs. Godzilla, by David Mamet

Both are books on craft (writing and film making) and make perfect sense to a designer. And are also excellent reads.

Jan Wilker

Short Stories, by Franz Kafka

I was, and still am, fascinated by the amazing results of the smallest small changes in our perception.